Darko Milosevic, Dr.rer.nat./Dr.oec.

Please fill free to lisen music until you read blog :-)
Showing posts with label Reflective-Writing. Show all posts
Showing posts with label Reflective-Writing. Show all posts

Writing essays and dissertations "in perspective"

The basics of scientific writing are always the same, whatever the task. So, we will focus on essays, including the proper citation of references - see citing references.
We start with a short section on Getting started (overcoming writer's block). If you don't have this problem then go straight to How to write an essay.

Everyone has experienced writer's block, and that's as true for a first-year essay as it is for a PhD thesis. It is a psychological hurdle - the task ahead seems daunting, and you spend ages trying to decide how you will produce the perfect, polished, final product. Meanwhile you have produced nothing; you are no further forward! Or perhaps you do start - you write the first few paragraphs, you don't feel happy with them, so you rewrite them again and again, and never make progress. That's why so many PhD students go past their deadline, and why some never produce a thesis.
The solution is simple, and it always works. Let's assume that you have done all the preparation - you know more or less what you want to write about, and you have accumulated lots of rough notes or experimental results, etc.

Start writing, keep going, and don't look back until you get to the end!
Remember that this is your first draft, and no-one else will see it. Don't worry about the finer points of structure. Don't worry about the order of your sentences - sometimes the order will be sensible, sometimes not. Don't worry about your spelling or punctuation. Don't worry if you can't find the right word or phrase - just use dashes (--------) or a reminder such as (say something about dogs here) and keep going. Don't even worry if something you have written is not strictly true or will need to be checked. Just keep going!

Once you have produced this rough draft you will have broken the back of the job. Then you can rearrange whole sections or blocks of text, putting them where they fit best. And then you can go through the text, correcting anything you need to correct, and inserting anything you need to insert.
Everything that I have ever written (including two books, more than 100 scientific papers, and even this web site) was produced initially as a rough draft from start to finish, and then rewritten or rearranged at least 3 times. The Cut, Copy and Pastebuttons on word-processors make the job easy when you have got the basic content in place.

Good writing requires preparation, organisation and structure.
We don't really need these things in an email message (although it helps!). We certainly need them for anything that we want to "put on record" - an essay, a scientific report, etc.
'Far too many relied on the classic formula of a beginning, a muddle and an end'
Philip Larkin
New Fiction

Your first draft (see Getting started) might conform to Philip Larkin's description. Your final version will take shape when you work through each section in detail.

What makes a good scientific essay?
The answer is: good structure and good content. Look at your favourite textbook, or one of the good review journals such as "Trends" (Trends in Evolution and Ecology, Trends in Microbiology, etc.). Why do you like it? Because its structure guides you through the subject in an accessible way:
  • the Introduction sets the scene;
  • the separate sections have headings;
  • the longer sections are divided into sub-sections, with sub-headings, so you don't have to plough through long sections of text;
  • the tables, diagrams and photographs illustrate or summarise key points, while also breaking the text (textbook editors are skilled at making the pages appear interesting);
  • the Conclusion puts everything in perspective, and typically suggests where further work is needed;
  • the References cover key areas referred to in the text.
Your essay should have the same features. The "long essay" composed of continuous text may still hold a place in Arts and Social Sciences, but it no longer has a place in Science.
(i) The Introduction
Any piece of writing should have an Introduction. It need not be long - perhaps a single paragraph - but it should set the scene clearly.
For a scientific paper it is usual to give an overview of previous work in the field, then state why you did your work - e.g. to resolve a specific point that was still unclear - and sometimes to say briefly what your work will show.
For an essay it is usual to define clearly the subject you will address (e.g. the adaptations of organisms to cold environments), how you will address this subject (e.g. by using examples drawn principally from the Arctic zone) and what you will show or argue (e.g. that all types of organism, from microbes through to mammals, have specific adaptations that fit them for life in cold environments).
The Introduction will be the first section that you write, but it will probably be one of the last sections that you revise, to make sure that it leads the reader clearly into the details of the subject you have covered.
Check-list for the Introduction
  • Does your Introduction start logically by telling us what the essay is about - for example, the various adaptations to habitat in the bear family (Ursidae)?
  • Does your Introduction outline how you will address this topic - for example, by an overview of the habitats of bears, followed by in-depth treatment of some specific adaptations?
The main body of text should have a clear, obvious structure. In scientific writing, this means that it will have sections, each with a heading, and each section might well have sub-headings, to cover different aspects.

You will need to think about the hierarchies of headings, so that the reader doesn't get lost. There are several ways of doing this, but one example is:
MAIN HEADINGS IN CAPITALS (INTRODUCTION, CONCLUSION, ETC.)
Section headings in bold lower case (Mammals of the temperate zone, Birds, etc.)
Sub-sections in italics (The arctic fox, The polar bear, etc.) or underlined.

You should include tables, diagrams, and perhaps photographs in your essay. (See tables, diagrams, photographs). Tables are valuable for summarising information, and are most likely to impress if they show the results of relevantexperimental data. Diagrams enable the reader to visualise things, replacing the need for lengthy descriptions. Photographs must be selected with care, to show something meaningful. Nobody will be impressed by a picture of a giraffe - we all know what it looks like, so the picture would be mere decoration. But a detailed picture of a giraffe's markings might be useful if it illustrates a key point.

All the points above refer to structure and presentation. But, of course, the most important point is that an essay must have substance. For this, you must carefully select the material you will present, order the facts or arguments in the most logical sequence, and make the argument flow. For example, if you are writing an essay about adaptations to cold environments, it is not enough to just piece together a series of examples - a cold-adapted bacterium, a cold-adapted moss, a cold-adapted bear, etc. Instead, you should have chosen your examples to illustrate the adaptations that they have in common, or the contrasting ways in which they achieve the same result, and make these points as you go through the essay.

Useful tips:
1. Often you will have a word limit - say, 2000 words. Typically, this means that you should be within 10% of the target (1800 - 2200 words, excluding references, tables, diagrams, etc.). Anything much more, or less, is likely to be penalised.

2. How can you cover anything reasonably in 2000 words, when you could write at least 10,000 words on the subject? That's just the point - we (the markers or readers) don't want to read 10,000 words, and there is no guarantee that it would be any better than 2000 words. You might think that you have a stark choice: cover everything superficially, or cover a few things well. But there is a "third way" (if that expression has not been wholly devalued by New Labour). We can call it "breadth with depth": cover the main elements of the subject, then focus on one or two key issues for more detailed consideration. These issues should be selected carefully - and say so - for topicality, for the particular depth of study they have received, etc.

Checklist for the main body of text
  • Does your text have sections with headings and sub-headings?
  • Does the text follow a logical sequence, so that the argument flows?
  • Does your text have both breadth and depth - i.e. general coverage of the major issues, with in-depth treatment of particularly important points?
  • Does your text include some illustrative experimental (or other scientific) results?
  • Have you chosen the diagrams or photographs carefully, to provide information and understanding, or are the illustrations merely decorative?
An essay needs a conclusion. Like the introduction, this need not be long, but it should draw the information together and, ideally, place it in a broader context.
Unfortunately, the conclusion is often the most difficult part of an essay. Student essays all too often end with some bland statement such as "As can be seen by the examples I have discussed, organisms that live in cold environments usually have specific adaptations that fit them for these conditions."

That's just words: an excuse for a conclusion. On the other hand, a conclusion should not introduce more facts. If the new facts are relevant then they should have been mentioned earlier.

The best conclusions are those that show you are thinking further. For example, it might be interesting to transfer cold-adapted organisms to more moderate environments and see whether the "cold-adapted" traits are still expressed. Or, it might be interesting to look for sequence homology in the genes of cold-adapted organisms and organisms of more moderate environments. As a last resort, you might use a nice, short quotation - preferably a witty one to put the marker in a good mood!

[A note on conclusions in exam answers. Students often end examination essays with a summary of the points mentioned earlier. This is a total waste of time. You can only score the marks once, no matter how many times you repeat a point.] Click here for more guidance on examination technique.
In all scientific writing you are expected to cite your main sources of information. Scientific journals have their own preferred (usually obligatory) method of doing this. The piece of text below shows how you can cite work in an essay, dissertation or thesis. Then you produce an alphabetical list of references at the end of the essay.

Citations in the text [We will use colours here, so that you can follow the guidance notes in the reference list.]

Jones & Smith (1999) showed that the ribosomal RNA of fungi differs from that of slime moulds. This challenged the previous assumption that slime moulds are part of the fungal kingdom (Toby & Dean, 1987). However, according toBloggs et al. (1999) the slime moulds can still be accommodated in the fungal kingdom for convenience. This view has been challenged by Deacon (1999).

In the reference list at the end of the essay: [List the references in alphabetical order]
Bloggs A.E., Biggles N.H. & Bow R.T. (1999) The Slime Moulds. Academic Press, London & New York.

Maintaining Your Focus

Maintaining Your Focus
This is the key to completing your dissertation or thesis. Try the following strategies:
Tape a copy of the proposal to your computer, asking yourself if you have expanded on all of the ideas advanced in the proposal.

Work "within" your proposal, adding key words and concepts and then expanding upon them. This can help you integrate your research into a structure as you proceed while reminding you that you are making progress.

Write your first chapter early to make sure that subsequent chapters fulfill promises made in the introduction. This strategy helps some writers to focus their writing; for others, however, writing the first chapter proves difficult. In either case, writing the first chapter will remind you what your dissertation is about. See what works for you.

Use your thesis to focus your work. Let it dictate what you include; refrain from writing everything you know.


REFLECTING WRITTING
1. Addresses the assignment question;
2. Reflects on direct experiences, opinions, events or new information. Response to thoughts and feelings. State your reaction to the subject. Agree/disagree? A form of personal response to experiences, situations, events or new information.
3. Direct reference to the course activity. 'Processing' phase where thinking and learning take place. Did you change your mind? Did the subject meet your expectations?
5. Relating what was learnt. Opportunity to gain self-knowledge. What did you learn? Achieve clarity and better understanding of what you are learning.

Research & Development
Keywords: knowledge life cycle learning process conceptualization

Profit Impact of Market Strategies (PIMS) database.
COMPUSTA is a database of financial, statistical and market information on active and inactive global companies throughout the world. The service began in 1962.

EndNote - Getting bibliographic data

Getting bibliographic data

http://libguides.mit.edu/c.php?g=176170&p=1160844
Connection files allow EndNote to search and import references from databases. Connection files only work with databases that support the z39.50 protocol (typically library catalogs and free databases, like PubMed).  There may be additional restrictions that limit the Libraries' ability to support this type of access. EndNote users can get new and updated filters at the EndNote Technical Support pages.
To download connection files:
  1. Quit EndNote before downloading the file.
  2. Click on the link for the file.
  3. Save the file into your Connections folder in your EndNote directory (found on your C:\ drive or in your C:\Program Files folder).
    Export: Download records from a library-supported database directly into your EndNote database.
    Import filters are the files used by EndNote to decipher information that has been downloaded from a bibliographic database. You can customize any of these import filters or create your own. EndNote users can get new and updated filters at the EndNote Technical Support pages.

    Using EndNote's "Find Full Text" feature

    To get better access to articles & PDFs, change the following EndNote preferences in the "Find Full Text" section:
    OpenURL Path: http://owens.mit.edu/sfx_local
    Authenticate with URL: http://libproxy.mit.edu/login?url=
    EndNote preferences screenshot

    MLA Handbook for Writers of Research Papers

    MLA manuscript format
    The following guidelines are consistent with advice given in the MLA Handbook for Writers of Research Papers, 7th ed. (New York: MLA, 2009), and with typical requirements for student papers. For a sample MLA paper click here.

    Formatting the paper
    Papers written in MLA style should be formatted as follows.
    Materials and font Use good-quality 8½″ × 11″ white paper. Avoid a font that is unusual or hard to read.

    up to directory menu
    Title and identification MLA does not require a title page. On the first page of your paper, place your name, your instructor’s name, the course title, and the date on separate lines against the left margin. Then center your title. (Click here for a sample first page.)
    If your instructor requires a title page, ask for formatting guidelines. A format similar to this one may be acceptable.
    Pagination Put the page number preceded by your last name in the upper right corner of each page, one-half inch below the top edge. Use arabic numerals (1, 2, 3, and so on).

    Margins, line spacing, and paragraph indents Leave margins of one inch on all sides of the page. Left-align the text.
    Double-space throughout the paper. Do not add extra space above or below the title of the paper or between paragraphs.
    Indent the first line of each paragraph one-half inch from the left margin. 

    up to directory menu
    Capitalization and italics In titles of works, capitalize all words except articles (a, an, the), prepositions (to, from, between, and so on), coordinating conjunctions (and, but, or, nor, for, so, yet), and the to in infinitives — unless they are the first or last word of the title or subtitle. Follow these guidelines in your paper even if the title appears in all capital or all lowercase letters in the source.
    In the text of an MLA paper, when a complete sentence follows a colon, lowercase the first word following the colon unless the sentence is a well-known expression or principle.
    Italicize the titles of books and other long works, such as Web sites. Use quotation marks around the titles of periodical articles, short stories, poems, and other short works. (Some instructors may prefer underlining for the titles of long works. Be consistent throughout your paper.)

    Long quotations When a quotation is longer than four typed lines of prose or three lines of verse, set it off from the text by indenting the entire quotation one inch from the left margin. Double-space the indented quotation, and do not add extra space above or below it.
    Quotation marks are not needed when a quotation has been set off from the text by indenting. Click here for an example.

    Web addresses When a Web address (URL) mentioned in the text of your paper must be divided at the end of a line, break it only after a slash and do not insert a hyphen. See theMLA rules on dividing Web addresses in your list of works cited.

    Headings MLA neither encourages nor discourages the use of headings and provides no guidelines for their use. If you would like to insert headings in a long essay or research paper, check first with your instructor.

    Visuals MLA classifies visuals as tables and figures (figures include graphs, charts, maps, photographs, and drawings). Label each table with an arabic numeral (“Table 1,” “Table 2,” and so on) and provide a clear caption that identifies the subject. Capitalize the caption as you would a title; do not italicize the label and caption or place them in quotation marks. The label and caption should appear on separate lines above the table, flush with the left margin.
    For a table that you have borrowed or adapted, give the source below the table in a note like the following:

    Source: David N. Greenfield and Richard A. Davis; “Lost in Cyberspace: The Web @ Work”; CyberPsychology and Behavior 5.4 (2002): 349; print.
    For each figure, place the figure number (using the abbreviation “Fig.”) and a caption below the figure, flush left. Capitalize the caption as you would a sentence; include source information following the caption. (When referring to the figure in your paper, use the abbreviation “fig.” in parenthetical citations; otherwise spell out the word.) Click here for an example of a figure in a paper.
    Place visuals in the text, as close as possible to the sentences that relate to them, unless your instructor prefers them in an appendix. 


    up to directory menu
    Preparing the list of works cited
    Begin the list of works cited on a new page at the end of the paper. Center the title Works Cited about one inch from the top of the page. Double-space throughout. Clickhere for a sample list of works cited.
    Alphabetizing the list Alphabetize the list by the last names of the authors (or editors); if a work has no author or editor, alphabetize by the first word of the title other thanA, An, or The.
    If your list includes two or more works by the same author, use the author’s name for the first entry only. For subsequent entries, use three hyphens followed by a period. List the titles in alphabetical order. (See item 6.)

    Indenting Do not indent the first line of each works cited entry, but indent any additional lines one-half inch. This technique highlights the names of the authors, making it easy for readers to scan the alphabetized list. Click here for an example.

    Web addresses If you need to include a Web address (URL) in a works cited entry, do not insert a hyphen when dividing it at the end of a line. Break the URL only after a slash. Insert angle brackets around the URL. (See the note following item 34.) If your word processing program automatically turns Web addresses into links (by underlining them and changing the color), turn off this feature.

    SAMPLE REFLECTION PAPER

    SAMPLE REFLECTION PAPER
    (submitted by a student in CRIM 1006E, Fall term 2003)Mark:  4/5
    Please NOTE:  This paper is presented as a model based on the way the author began the inquiry, (i.e. narrowing the reflection by posing a question and focusing on it).  There are areas for improvement in the piece (e.g. carrying through with the author's initially posed question; focusing more critically
    on Bodi's argument and/or her responses to this author's comments), however, it is offered as a formidable example of how to initially tackle a critically reflective piece by focusing on only one point, argument, (or in this case, sentence).


    I found the article written by Sonia Bodi was very informative and interesting. Although many of the ideas she presented I agreed with, there were also a few points that I'd like to argue against. First I would like to answer the question that was proposed in the title of this article: How do we bridge the gap between what we ( professors) teach and what they ( students) do? To fill in that gap, both sides need to work together. Students need to push themselves to expand their knowledge and help themselves become more inquisitive, critical, and reflective. Professors, on the other hand, should push and challenge the students to become better thinkers and help them use what skills they know to their advantage. When students and professors are thinking on the same page, they will start to understand each other's viewpoint, thus making researching a paper more easier.
    I agree that students do have a more difficult time to deal with the pressure of writing a research essay.  "Choosing a topic and its focus is perhaps the most difficult task in research."  This statement is very true. I sometimes complain when I have to write an essay focusing on a specific topic that a professor has assigned, but in reality, writing an essay on a topic you can pick yourself is even harder. Sometimes I have so many ideas to write down on paper I become overwhelmed and stressed; even though I am researching a topic that I myself have freely chosen. This is the time where, as stated in the Bodi article, that students "experience uncertainly and confusion."  This quote was made after studying high school students' behavior while researching topics. I thought about this statement while I read the rest of the article and came to a conclusion about the truth of this quote. Although I understand how to now, I was never taught how to write a proper research paper in high school; and I am sure that many people also feel this way as well. The teachers were very lenient about the way our research essays were presented, so it was never a big deal if I forgot to add a bibliography to the paper. This might be a possible answer to some of Sonia Bodi's statements about the quality of first year students' papers: some early year university students might just never have been taught properly.
    Another problem that seems to affect students, from my experience, is the method of acquiring the information for the research paper. The Internet use to be where I got most of my information, and while I feel it is a valuable source, I know that libraries are even more beneficial. I can understand why students seem to turn away from Libraries because all that information can be overwhelming and stressful. Therefore, another problem is presented before the actual research process has even begun. I really enjoyed the quote by William Blake: "You never know what is enough unless you know what is more than enough." It seems to add to the confusion of writing a research paper: How much information should I put in my paper? What are the most important topics and which topics should be left out?
    As mentioned above, there were a few points I disagreed with. Quotes such as "students search in a haphazard, unplanned way, happy to find whatever" and "lack of patience" were easy for me to contradict. Although I have never been taught how to write a properly finished research paper, I have been taught how to write an outline. And though I may sometimes get overwhelmed with all the possible information I could write in my paper, I don't search for that information haphazardly and unplanned. I write an outline to help narrow down the field of topics I wish to write in my paper, but even with that, there are still vast amounts of information that I could research on. And unlike most scholars, who get paid to research and have all the time in the world, I can't afford to shift through all that information when I have a deadline. I don't feel it is fair to compare students with scholars, because it makes hard working students seem uneducated. Doing research is a way for scholars to make a living, and for most students, researching a paper is simply a way to make a grade. I feel that I do try my best while researching a paper, but the problem is, I don't have the time to look through all that information that scholars do have the time to look through. It is very hard to pick a focus that can have such vast topics. And I feel this is the main problem for many students, like myself.
    I enjoyed very much reading this article. It allowed me to critically reflect upon the way students carry out their research papers. Sonia Bodi presented many valuable points that will help me focus on any future papers I will research. 

    Grading and Evaluation

    Chapter 5: Grading and Evaluation

    Index

    GRADES AND GRADING 
    §§§ The Problem with Grades
    Grading is a perpetually thorny issue. No one likes to assign grades, but virtually everyone acknowledges the necessity of doing so. Grading can be the cause of sleepless nights for students and teachers alike, as well as the source of frustration and dispute when two par- ties disagree over the appropriateness of a grade. Why this strife?
    Grading is about standards, and standards imply judgment. Quantitative disciplines are somewhat advantaged in this area because people who teach these subjects use judgments like “right and wrong,” while people in the humanities and other argument-oriented disciplines are stuck with “better and worse.” No one gets off easy in this grading game. Many students will flee quantitative subjects convinced that such disciplines are tyrannical and uncreative. Those same students run back after a semester in the humanities, hissing all the way that grading is subjective, personal, and unfair. Scylla, meet Charybdis. Rock, meet hard place.
    But maybe this predicament is caused not by the standards but by they way we apply them—or fail to apply them—throughout the semester. In quantitative subjects, running through a series of problems without giving students the opportunity to consider the whence, whither, and wherefore doesn’t exactly inspire them to think, excite their curiosity, or make them feel like they’re part of the game. No wonder they’re peeved when the questions on the test require original or high-level thought. Conversely, we may be setting students up for disappointment and frustration in the humanities when their contributions in section—no matter how far afield, poorly argued, or lacking in evidence—are greeted with a smile of approval, only to be skewered when that same level of thought appears in a paper.
    The point is, standards aren’t just for tests. They’re for learning, thinking, discussing, the whole shebang. View grades not solely as big red letters written atop each assignment and quiz, but within the larger con- text of feedback. So explain the standards to your students, apply the standards (nicely) during discussion and problem solving, and show your students that you, your section, and their hard work are the ticket to meeting them. You’ll be a lot better off at grading time.
    But your students are not the only ones who should be getting feedback in the classroom. A person’s teaching, as with any other activity, only improves with practice and constructive criticism. The practice will come with time; the latter half of this chapter will suggest ways to elicit that constructive criticism.
    §§§ Why Grading is So Hard: The Jekyll and Hyde Effect
    Most TFs begin their semester with the hope that they will be great teachers: their students will be inspired, they will learn the material, they will do the work, and they will get good grades — all because we, as teachers, will guide them through. But eventually they hand in an assignment and we are suddenly transformed into the merciless arbiter of an impersonal standard. No longer are we the friendly, helpful TFs that we once were.
    We are the Grim Grader, slashing at the fields of undergraduate effort with the sharp scythes of A- and B+. We change hats; we shift loyalties. No wonder there’s some emotional fallout.
    §§§ Easing the Pain
    The best way to alleviate some of the tension between your roles as helper and evaluator is to set clear expectations and standards at the outset, preferably in writing. Students need to know what constitutes an A paper, what constitutes a B paper, and, heaven forbid, what constitutes an F (yes, Virginia, there are grades lower than C). Are students graded on attendance? Class participation? Will papers be graded on style as well as content? You don’t necessarily have to come up with these guidelines on your own, though: check with the supervising faculty member to see if any standards or grading strategies have already been set.
    With such explicit expectations in place, students will be far more understanding when you make the leap from Joe Smiley the TF to judge, jury, and executioner. (Don’t worry, there haven’t been any real executions at Yale since the 1950s.) By setting clear standards at the outset, you’ll avoid a lot of student complaints about your grading. Here are some suggestions for making those standards clear.
    Have All the Answers
    In grading exams, lab reports, and problem sets, con- sider preparing an answer key (or some clear indication of what made for an average/better/excellent answer) and making it available to your students—perhaps posted outside your office or on the class web site. Provide the correct answer to each question and indicate which responses earned partial credit and how many points you’ve deducted for certain errors. You can then have students compare their work to this model before coming to you with complaints or questions about grading.
    Samples of Brilliance
    Weaker writers often have no idea what a strong paper looks like, and they will have great difficulty improving their writing if they don’t see what to change. Consider distributing sample papers to let students know what you consider to be worthy of a high grade. You might also find that a few of your best writers will be willing to have their papers made available (anonymously, of course) for future students to read and learn from.
    Put That Preaching into Practice
    Make reference to the written guidelines you give students when you comment on their work so that they can see where their performance does or does not measure up to your expectations. In the course of your first semester of teaching, you may find that you develop a new set of instructions (written or unwritten) for preparing a good term paper, problem set, or lab report. The next time you teach, write up these standards and discuss them with students before the first assignment is due.
    §§§ Approaches to, and Techniques for, Grading Fairly
    Clear expectations serve a useful purpose only if they’re fairly and consistently enforced. In other words, you can’t run a classroom in which attendance counts against you only if you’re a registered Republican. In a course where all students complete identical problem sets, papers, or exams, the same criteria must be applied in grading each student’s work. Here are some suggestions for increasing consistency, which can be applied in many different situations.
    Grade the Question, Not the Student
    When grading an exam or assignment with multiple sections, grade all responses to the same question (or set of related questions) together. This makes it less likely that a student’s overall level of performance on the exam or assignment will cause you to give a grade for a particular section that is undeservedly high or low. Naturally, this approach is about as exciting as an evening with C-SPAN, but the good and poor performances will stand out much more clearly this way than if you alternate among topics or question formats, and it will be easier for you to develop and adhere to consistent scoring criteria. The item-by-item approach also works well if there are multiple TFs for the same course. If each of you grades a particular question or group of questions on every exam, you’ll be in a better position to assure students that everyone’s work has been evaluated in the same way.
    Waiting for Godot
    As you begin grading a particular assignment or exam question, read through several students’ answers without marking grades. At the very least, restrict yourself to tentative marks in pencil. This will give you a sense of the overall range of students’ responses before you start inscribing final grades in indelible red ink. Although you’ll probably think about the components of a good answer before reading any exams at all, students will occasionally surprise you by interpreting the question very differently from what you or the professor had in mind. Similarly, a question will sometimes prove to be much more difficult than you anticipated. Because such problems are often the fault of the testing instrument rather than of the student, it’s important that you understand how students are actually approaching the question before you begin to grade.
    Take Two
    After you finish grading, review the first few assignments you graded. You will often find that you were much nastier with the red ink at the beginning of the grading process than at the end, and you may be pleasantly surprised to find that some of the first assignments you graded made points other students failed to mention. You will also have developed a more refined sense of a “good” as opposed to an “average” or “weak” performance over the course of your grading, and you may realize that the first assignments you read were better (or worse) than you initially thought. For these reasons, you may not want to mark any grades in pen until you’ve finished with the whole set of exams or papers and are happy with the distribution of grades as a whole.
    Grade Blind
    If you’ve come to know your students well in section or lab, you may have definite expectations, hopes, or fears about their performance on major assignments. In order to avoid being influenced by what you know or anticipate about a student’s work, you might want to keep the grading as anonymous as possible: just fold back the cover sheet of each paper or exam so that you can’t see the student’s name. (If you want to do this with papers, you should make a point of asking students to include their name only on the cover page.)
    Grading without regard to students’ identities does not prevent you from commenting on how students’ work has progressed (or degenerated) over the course of the semester. Once the actual assigning of letter grades is complete, you can always go back to your written comments and praise students who have made notable improvements (or caution students who have done the reverse).
    Partners in Crime
    No TF is an island. Cooperation with other TFs can take different forms, each of which has its own advantages and disadvantages. Assuming your supervising faculty member does not hold a practice grading session, one possibility is for the TFs in a course to grade an exam or other assignment together, dividing the questions among themselves and conferring in unusual or borderline cases. A second alternative is to exchange exams or papers with other TFs, ensuring that nobody grades their own students’ work. Third, TFs in the same course may seek to standardize their grade distributions even if they do the grading individually. This might involve attempting to equalize (roughly) the percentage of students in each TF’s sections who receive a particular grade, or having TFs share student work they feel exemplifies each grade category with the others (an A paper, a B paper), or some combination of these strategies. After conferring with your fellow TFs, you might then need to go back and adjust borderline students’ grades up or down to ensure balance across sections. Finally, the professor may have instructed all TFs to adhere to a certain grade distribution. This can bring problems of its own, but it does eliminate the issue of consistency across sections.
    §§§ What to Do When Students Challenge Your Grade
    A common scenario: you return students’ papers and, after the usual period of sighing and moaning, a student approaches you with the dreaded “I’d like to talk to you about my grade.” What then?
    Wait a Minute
    The first thing to do is stall for time. No joke. Don’t be pressured into hearing a case and making a decision on the spot. There will probably be other students around, and you might be in a rush to get out of the classroom. Unless the grade change is truly minor and unquestionable, set up another time when you can give the student your full consideration (within a few days, to be fair). Then, before you meet the student, take some time to remind yourself what your grading standards are. Also, if you have the student’s paper available, reconsider how the paper fits those standards (it’s always a good idea to make copies of your comments for future reference).
    Another option is to have the student write out his or her side of the story and turn it in with a copy of the exam or paper. That way, you’ll have time to review the case before meeting to discuss it. If the case really is clear-cut and simple, it won’t take long to explain it, and it won’t take you long to make a decision on the merits of the student’s case. Let students talk during such conferences. In fact, let them talk a lot. Resist the temptation to jump in with your defense. Shouting, “Zip it! You failed!” will only exacerbate the situation. Many students take getting a bad grade very personally, so don’t escalate things by making the grading process personal as well.
    Why do students complain about a grade? There are several possibilities.
    • The student is embarrassed about getting a low grade and is trying to win your approval as a person, or perhaps trying to show you that she is smarter than the grade reflects.
    • The student is genuinely trying to learn how to write better papers or do better on exams.
    • The student is trying to figure out how to get a better grade in the future.
    • The student is just trying to get a higher grade right now.
    Dealing with the last possibility can be frustrating, but don’t assume that that’s the reason when in fact any of the other possibilities might be the case. (We don’t have to tell you what happens when you assume, do we?) Always imagine that your student has higher motives, and aim your conversation at that level. You can always give the student the option of having the supervising professor read and re-evaluate the paper or exam. Just be sure to remind the student that the grade could go down even further.
    One last thing: if you allow a student to rewrite a paper, make sure that you allow every student that opportunity. In this case, it can’t be only the squeaky wheel that gets the grease. You gotta grease ’em all.
    §§§ “Grade Compression” (Or, Grading from A to…C?)
    Once upon a time, in universities far, far away, getting a C meant that your performance was average. A was at the top, F was at the bottom, and C was cleverly placed right in the middle (don’t ask what happened to E). But now we live in the world of Upward Grade Homogenization (UGH, commonly called Grade Inflation or — as Yale prefers it, “grade compression”), where most students, TFs, and professors consider C to be a bad grade—not the worst possible grade, mind you, but certainly less than average. So, the question is, what are the possible effects of UGH on your grading procedures?
    • If you reserve A’s for truly excellent work and give out C’s only for truly terrible work, you might end up cramming all of your students into an over- crowded B/B+ range that doesn’t really differentiate between their levels of work.
    • You might start throwing out A’s like a clown with a bag of candy—everybody gets one. The truly exceptional work is mixed in with the mediocre.
    • Because C is considered a bad grade, you might be reluctant to give out D’s and F’s even if the student truly deserves it
    • You might get crazy and start inventing new grades like “Super A+++.” These grades, while eye catching, will not be recognized by the Registrar.
    There are divergent, strongly-held beliefs about grades and grade inflation, and the grading policies of individual TFs are unlikely to be the catalyst for any institutional change. In short, there’s not a lot to be said about UGH except that it exists. Bummer, babe. About the only thing we can say is that there is still a distinct spectrum of grades. If a student is blowing off the class or handing in terrible work, don’t be afraid to give out D’s or F’s. If a student hands in a term paper three pages long, poorly written, and smelling suspiciously like cheap beer, give it the grade it deserves: B-, of course.
    §§§ When a Student Is Failing
    Before midterm, the Registrar sends each faculty instructor or PTAI copies of a form that requests information about students doing unsatisfactory work, particularly those who are in danger of failing the course. However, it’s not always clear by midterm whether a student is on track to fail the course. Nevertheless, if you suspect that a student is in danger of failing, or even in danger of getting a D, let your supervising faculty know; if you’re a PTAI, you can use the form to alert the student’s residential college dean or you can contact the dean directly.
    Unsatisfactory grades—D’s and F’s—are taken very seriously. If you give a student a D or an F for a final grade, there is a chance that the grade will be challenged. This is another reason to have crystal clear standards for how you plan to grade student papers, exams, and assignments. It’s also a reason to keep copies of assignments and exams and detailed records of each student’s performance for future reference.
    §§§ Grading Student Writing
    Grading student writing, especially for a first-time TF, can be a nerve-wracking experience. Let’s face it, some of us have gotten to the point where we don’t never think about the mechanics of writing papers no more.
    Here are some suggestions that might help you get gooder at dealing with student writing.
    Check in with Others
    If you’re concerned about grading written work, share a few student papers with the instructor or other TFs in order to compare their responses with your own. TFs in some courses routinely exchange essays they feel are particularly good examples of each grade level. These can be accompanied by stale gum to give them a real collector’s feel: “I’ll give you a B+ from my Shakespeare course if you give me an A- from Contemporary Lit.”
    Read Me, Please
    Getting students to read your comments is one of the most difficult challenges in the grading process. Almost all students turn first to the grade, and some barely glance at the marginal comments, much less re-read the essay and reflect on how it might have been improved. This is less of a problem if every paper assignment includes the opportunity for consultation and revision, but that process can be very time-consuming and impractical. One partial solution is to require small revisions for every paper. You might ask students to rewrite an introduction or conclusion, or to rework a key paragraph, which they would hand in at the next meeting. Students are more responsive to feedback when it is ongoing, focused, and clear.
    Another solution is to summarize your margin notes or pick up on one or two big issues in a discursive comment (2-4 sentences) at the end of the assignment.  This gives you a chance to refer back to previous work (“This concluding paragraph is stronger that last week’s”), give suggestions (“Review the passé simple!”), or even slip in an old chestnut or two (“Try harder!” or “Keep up the good work!”).
    Don’t Overdo It
    It’s usually a massive waste of time to overhaul a paper until it works well. Most TFs do want to point out basic grammatical and stylistic mistakes but don’t feel obliged to cover every last detail in the paper. You don’t want a situation in which you hand back a paper with more red ink on it than black (not that you should necessarily use red ink, but you get the point). In most cases there is a limit to the amount of constructive criticism a student can absorb. Consider choosing a few major points to emphasize instead of trying to be comprehensive. Also, be sure to respond to some positive aspects of the writer’s work (however much of a stretch this is) rather than only pointing out negatives.
    Splitting the Atom
    If it’s appropriate for your class, you might consider using split grades (e.g., B/A-) to indicate separate evaluations for style and content. Students who make great arguments but write their papers like VCR instructions might get an A for content and a C for style (averaging out to a B for the final grade). On the other hand, students who write beautifully but with an argument so obvious that it doesn’t need arguing (“Metallica rocks hard”) might get an A for style and a C for content.
    §§§ Midterm and Final Evaluations
    THE TABLES TURN! STUDENTS EVALUATING YOU! 
    Here’s a common scenario. You get through your first semester of teaching without any serious problems. Nobody failed the course, nobody complained out loud, and nobody sued you for gross negligence. In general, everyone seemed to get through section with a polite level of attention and there were a number of students who really appeared to enjoy themselves. Yet when you get back your standard, end-of-semester evaluations, you find a bunch of mediocre reviews. Some of them are even outright nasty. You feel like the Rodney Dangerfield of the Grad School. Among the students’ criticisms are the following: you weren’t available enough outside of class, you should have involved more people in group discussions, and you didn’t do a good job of relating the material to “real life” issues. You can’t believe that none of these things were brought to your attention. In a fit of despair, you drop to your knees, clutching the evaluations, screaming, “Why? Why? Why didn’t they tell me?”
    As you’ve probably guessed, the moral of this story is that you shouldn’t wait until the end of the semester to solicit evaluations from your students. There are many different ways to get feedback, and it’s always a good idea to get some when you can actually use it. End-of semester evaluations are helpful as a summary of student reactions to the course, and they can be useful for future classes and teaching portfolio, but it’s far more helpful to get some input from your students while you’re still in the thick of things. Some students might approach you with problems, but it’s incredibly rare for anyone to actually tell you to your face that they think you’re unorganized, confusing, foul smelling, or overly controlling. In some cases you can pick up on this just by gauging their reactions in class, but you’ll find out more if you ask in writing.
    Mid-Semester Evaluations: What You Should Know, Common Concerns, and What to Do after You’ve Read Them
    A number of sample mid-semester evaluations are given in the Appendix. Think about the things you want feedback on. These can be very specific (“Do you think we spent too much time talking about Guernica?”) or very general (“should we spend more time in small groups?”). Then devise an evaluation that suits your own needs. Better still, write questions that focus students’ attention on what’s helping them learn. Ask them to rate, rank, or otherwise assess three or four approaches you’ve used for their contribution to their understanding, comprehension, motivation, or whatever else you’re trying to achieve. What students like isn’t as important as what’s helping them learn. Sometimes they forget that. Sometimes we do too.
    Evaluations do not necessarily require a special form; you can get valuable feedback in a very informal manner. Some TFs use the “KQS” method: simply give the students a blank piece of paper and ask them to write down one aspect of the course that they would like to keep (K), one they would like to quit (Q), and one they would like to start (you guessed it, S). Other TFs wait until the end of class and ask the students to write down questions they’d like to see addressed next time. Whatever your method, just make sure that any evaluation you use is kept anonymous. It’s not easy for students to tell the truth if you’re staring over their shoulder, especially if you’re whispering cryptic comments about their future at Yale College.
    Another excellent means of soliciting anonymous feedback from students is the Feedback tool on classes*v2.  Some TFs have had success with the free site www.surveymonkey.com. Both allow you to create an online survey that you can email to students, and even track who has responded and who has not. Pretty sweet.
    Some Common Concerns
    The Fear Factor
    Many TFs don’t want to find out what their students think because they’re afraid it’s going to be bad news. Though this is quite reasonable, it shouldn’t stop you. First of all, there’s a good chance that the students will actually say something nice. Also, if they do have problems, it’s far more likely that they will give constructive criticism rather than spiteful, personal attacks, particularly with a mid-semester evaluation: no matter how anonymous you make it, most students probably won’t get too nasty for fear that you’ll know who they are. Second of all, you can control what you ask for on an evaluation. If you’re worried that the students don’t think your jokes are funny, don’t ask a question like, “Do you think I’m funny?” Remember, mid-semester evaluations can deal with very neutral topics. Questions like, “What do you think of the homework so far?” or “Are there any topics that you want to review?,” probably won’t generate scathing criticism.
    Never Let Them See You Sweat
    Some TFs fear that they’ll look weak if they solicit evaluations in the middle of the course. Sure, this can be a problem if you overdo it. A TF who constantly solicits student feedback will probably come off as neurotic and insecure (especially if you include questions like, “You think I’m an OK teacher, right?”). Nevertheless, giving out one or two mid-semester evaluations is something that most students will appreciate. The fact that you actually care about what they have to say can go a long way.
    After You’ve Read Them
    Your mid-semester evaluations can help you make the last six or seven weeks of section more productive; the end-of- semester evaluations can help you plan your next course. But what do you do with them after you’ve read them? Some TFs burn them, some bury them, and some frame them and send them to their parents. Here are a few of our suggestions.
    Summarize!
    Typing up a summary of comments prevents you from focusing on the extremes. Sure, one evaluation suggests that you’re the pedagogical antichrist, but another thinks that light and truth shine forth from your fingertips. Don’t let this hyperbole blind you to the more reason- able comments, like the ones that say you were clear, organized, and very helpful outside of class or that you weren’t always good about letting every student talk. If you write up a summary, every voice will be heard and you’ll begin to realize that the extreme evaluations are far less important than the many similar ones.
    Tell Them About It
    In the case of mid-semester evaluations, let the students know that you’ve read them and have given them some thought. Summarize the general thrust of the comments, and let your class know if you plan to change your approach as a result of their thoughts. They’ll respect the fact that you took their suggestions seriously.
    Get Some Advice
    A constructive response to constructive criticism may not be at your fingertips, particularly if student comments amount to “section is boring.” If you feel comfortable discussing problems and solutions with your professor or fellow TFs, do so. But if you’d rather not, give the YTC a call. All consultations are strictly confidential, and you’ll get some very good advice. Promise.
    Copy ’Em and Keep ’Em
    Evaluations are often an important part of your teaching portfolio and are sometimes requested in grant applications. It’s also helpful to give them to faculty members who are writing letters of recommendation for you. Download all of your evaluations and keep them on file.
    §§§ Other Grading Issues Not to Be Dealt with in This Section
    There are certain Yale policies and procedures that have a significant influence on grading that are not discussed in this section. These include issues such as “cut restriction,” dean’s excuses, withdrawals from a course, temporary incompletes, reading week, and Credit/D/Fail. For more on these fascinating topics, see Chapter 7.
     
    CONTACT FORM
    Please fill contact form in details:
    Name and surname:  *
    E-mail:  *
    Telephone:  *
    Arrival:  *
    Check out:  *
    Number of Persons:  *
    Accommodation Type:
    Price:
    Destination:  *
    Business Sector:
    Subject:  *
    Wishes and comments:
     
     
     *Must be filled with fields.